Selected pieces composed by Wojtek Blecharz:

  • Four preludes for piano (1999/2003)
  • Psalmus 82 per coro misto (2003- 2004)
  • dim for voice, cello, accordion and piano (2006-2007)
  • Raven for clarinet and piano (2007)
  • xyz for violin and piano (2007/08)
  • Airlines for recorders/ four performers (2008)
  • Torpor for violin, bass clarinet, percussion and piano (2008)
  • Com/m/a for flute and clarinet (or saxophone) (2008)
  • Hypopnea for detuned accordion (2010)
  • -onym for bass flute, bass clarinet, violin, cello, percussion and live electronics (2010-2011)
  • Phenotype for prepared violin (2011-12)
  • Means of protection for voice (or bass flute), cello and prepared accordion (2012)
  • K’an for steel drum and ca. 130 sticks (2012)
  • Transcryptum opera installation (2011-2013)
  • for female voice, cello, alto flute, 2 percussions, 2 accordions and contrabass clarinet
  • The Map of Tenderness for cello solo (2012)
  • Choice to remain silent for contrabass clarinet solo (2013)
  • WwAoLrLdSs for contralto, alto flute and percussion (2012)
  • 3rd Phase for 2 detuned accordions and 2 pendulum metronomes (2012)
  • Outside for female voice, cello, alto flute, 2 percussions, 2 accordions and contrabass clarinet (2013)
  • DFRGMNTD (I flow) (2011)
  • DFRGMNTD (I am) (2013)
  • for two pianos and two percussions
  • Small talks for accordion reed box and baritone saxophone (2012-2013)
  • September (the next reading) for voice, two pianists (one piano) and 2 percussions (2013-2014)
  • (one)[year](later) for voice, flute, erhu, pipa, guzheng, yang qin and percussion (2014)
  • blacksnowfalls for timpano solo (2014)
  • Liminal Studies for string quartet (2014)
  • ocean is not enough for 13 performers (2014)
  • Counter-Earth for clarinet, voice and death whistle (one performer) (2015)
  • no more stories for flutes (2 performers) and video (2015)
  • A bright, empty space for woodwind quintet and electronic sounds (2015)
  • Audioroom sound installation (2016)
  • Axis for rhythm generators, analog synthesizers and cello (2016)
  • Park-Opera opera-installation (2016)
  • Soundwork for 8 performers (2016)
  • House of Sound concert-installation (2017)
  • music for invisible places for 5 performers (2017)
  • Body-Opera opera-installation (2015-2018)
  • other states_horizon for 16 musicians and 16 wireless speakers (2017)
  • soundtouch for percussion solo (1 performer) and 4 participants (2017-18)
  • Opera FIASKO version 1: for orchestra and choir (2017-18), version 2: for voice, Paetzold recorder, accordion and electronic sounds (2018-19)
  • FIELD 1-3.Feeling Feelings for violin, contrabass clarinet and percussion (2018)
  • BLACK SQUARE music play for 4 performers (2018)
  • FIELD 4.Nexus for 9 performers (koto, shamisen, cello, double bass, shakuhachi, daegeum, viola, violin, gongs) (2018)
  • Rechnitz.Opera for 6 actors and 4 cellos, based on Elfriede Jelinek’s text (2018-19)
  • dream-notes for sopranino saxophone and electronic media (2019)
  • FIELD 5.Aura for 1 listener, 1 performer and 7 wireless speakers (2019)
  • Symphony 1 for orchestra in 4 groups (2019)
  • Symphony 2 for orchestra open to all types of musicians (2019)
  • FIELD 5.Aura for 1 listener, 1 performer and 7 wireless speakers (2019)
  • Symphony 1 for orchestra in 4 groups (2019)
  • Symphony 2 for orchestra open to all types of musicians (2019)
  • Stimm[i](u)ng for reversed cello and 4 instruments (2019), also as cello solo or for 2 cellos
  • Manifesto for orchestra (2019)
  • Sound Sculptures for choir (2019)
  • Intermedia interactive online sound-installation performed by the audience (2020)
  • Mantra dla Muranowa (Mantra for Muranów) performative installation for choir (2020)
  • Sonata for keyboard and tape sound-sculpture (2020)
  • Songlines music for sculptures by Ewa Maria-Śmiegielska “Follow the dragon” (2021)
  • Rhizome for saxophone and 60 wireless speakers, collaboration with Bendik Giske (2021)
  • Field 7.Delta for 10 performers (bass flute, clarinet, bassoon, saxophone, trumpet, violin, viola, cello, percussion and keyboards) (2021)
  • An Endless Dance sound installation (2022)
  • Queer Magick installation performative installation for the Former Nazi Party Rally Grounds, Nurnberg, collaboration with Vala T. Foltyn (2022)
  • Field 6. Dream Notes for 8 performers (bass flute, saxophone, violin, viola, cello, double bass, k-drone/accordion and electric bass)
  • Treehumana concert installation for voices and Paetzold Recorders (collective work) (2022)
  • Arbor/Rhizome for minimum 2 to infinite number of recorders (2022)
  • Berlin Prysm for voice, piano and 5 wireless speakers
  • Field 8.Elixir for symphony orchestra in 10 groups
  • Phoenix Mantra music for Ewa-Maria Śmigielska’s exhibition (music for large steel vibrating mirrors and transducers)
  • Concerto for Piano and wireless speakers (2021-2023)
© Adam Tuchlinski tuchlinski.pl